At Adrien Steel’s black-tie arts gala in downtown Chicago, he looked at a waitress carrying champagne and asked, in front of half the donor table, whether she wanted to dance for the room.
The chandeliers over the Whitmore Ballroom looked like frozen rain. Their light spilled across cut crystal, gold-rimmed china, polished silver, and the kind of faces that had learned to smile without warmth. The city’s money had gathered in one room again, as it always did in late November, when Chicago turned sharp and…
